The dizi are likely to have multiple spellings, too, depending on the transliteration used to convert from Chinese names. Nonetheless, dizi seems to be the most common name used in the West. The dizi is a major Chinese musical instrument, and is widely used in many genres of Chinese folk music, as well as Chinese opera, and the modern Chinese orchestra. Traditionally, the dizi has also been popular among the Chinese common people, and it is simple to make and easy to carry.
Most dizi are made of bamboo, which explains why dizi are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West. Northern Chinese dizi are made from purple or violet bamboo, while dizimade in Suzhou and Hangzhou are made from white bamboo. Dizi produced in southern Chinese regions such as Chaozhou are often made of very slender, lightweight, light-colored bamboo and are much quieter in tone.
Although bamboo is the common material for the dizi, it is also possible to finddizi made from other kinds of wood, or even from stone. Jade dizi are popular among both collectors interested in their beauty, and among professional players who seek an instrument with looks to match the quality of their renditions; however, jade may not be the best material for dizi since, as with metal, jade may not be as tonally responsive as bamboo, which is more resonant. The dizi is not the only bamboo flute of China, although it is certainly distinctive. Other Chinese bamboo wind instruments include the vertical end-blown xiao and the koudi.
Whereas most simple flutes have only a blowing hole (known as chui kong and finger-holes, the dizi has very different additional hole, called a mo kong, between the embouchure and finger-holes. A special membrane calleddimo, made from an almost tissue-like shaving of reed (made from the inner skin of bamboo cells), is made taut and glued over this hole, traditionally with a substance called ajiao, an animal glue. Garlic juice may also be used to adhere the dimo, but it is not recommended as a permanent replacement. This application process, in which fine wrinkles are created in the centre of the dimo to create a penetrating buzzy timbre, is an art form in itself.The dimo covered mokong has a distinctive resonating effect on the sound produced by the dizi, making it brighter and louder, and adding harmonics to give the final tone a buzzing, nasal quality. Dizi have a relatively large range, covering about two-and-a-quarter octaves.
Fingerings
M = Mouth Piece
D = Membrane
X = Closed Hole
O = Open Hole
U = Half Open Hole
FOR LOW A FLUTE (A LOW A DIZI)
01. M D | X X X | X X X = E
02. M D | X X X | X X O = F#
03. M D | X X X | X U O = G
04. M D | X X X | X O O = G#
05. M D | X X X | O O O = A
06. M D | X X O | O O O = B
07. M D | X O O | O O O = C#6
08. M D | O X X | O O O = D
09. M D | O O O | O O O = Eb
10. M D | O X X | X X X = E
11. M D | X X X | X X O = F#
12. M D | X X X | X U O = G
13. M D | X X X | X O O = G#
14. M D | X X X | O O O = A
15. M D | X X O | O O O = B
16. M D | X O O | O O O = C#7
17. M D | O X O | X X X = D
18. M D | O O O | O O O = Eb
19. M D | O X X | X X X = E
20. M D | X X O | X X O = F#
21. M D | X O X | X O X = G#
22. M D | X O X | O O O = A
23. M D | O X X | X X O = B
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